JWS

1,104 notes

typeworship:

Modern Wood Type

In a process moving from digital to manual, these beautiful woodblocks have been designed in Illustrator, laser cut and then printed by hand.

Produced by Nigel Bents, Paul Oakley and Jonny Holmes while at Chelsea College of Art & Design in London, the characters were based on a Bodoni poster typeface. The extreme stroke contrast has been used to house these playful decorative patterns.

The letters were cut from 3mm plywood then mounted on type-high blocks before letterpress printing at New North Press in Hoxton.

Even before inking, I love how the laser cutting has scorched a warm colour onto the wooden face of the letters.

(Source: typeworship, via bookuse)

Filed under Type printing letterpress

99 notes

yorkeantiquetextiles:

Main detail of “Gift cover (fukusa) depicting “the thousand cranes” and sun in brown, black, red and white silk embroidery and gold metallic thread couching on a light blue silk satin ground; Silk; satin embroidered with silk and couched with gold-metallic thread.” MFA (William Sturgis Bigelow Collection)

yorkeantiquetextiles:

Main detail of “Gift cover (fukusa) depicting “the thousand cranes” and sun in brown, black, red and white silk embroidery and gold metallic thread couching on a light blue silk satin ground; Silk; satin embroidered with silk and couched with gold-metallic thread.” MFA (William Sturgis Bigelow Collection)

(via yama-bato)

8 notes

dreamsofsilverandgold:

Inventory: Rings #2

Photographing some of my practice work from silversmithing classes from the last couple of years.

Stone setting, granulation, scrollwork.

Labradorite ring with granulation, inspired by Italian renaissance jewelry.

Tri-band ring—three rings soldered together, with silver and copper granules applied. Needed more/larger silver/copper balls—didn’t quite achieve the look I wanted.

Scrollwork ring. A pain in the butt to make. Wear it every day!

Filed under My work